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The volume control location looks like a Gibson L6 but the bridge is an ABR type, not that ugly flat thing.
It's not a Gibson. So what can it be? The pickups are specific to this make and model...!
The volume control location looks like a Gibson L6 but the bridge is an ABR type, not that ugly flat thing.
Could be a Guild, but the volume control is wrong.It's not a Gibson. So what can it be? The pickups are specific to this make and model...!
"Oi, you seen my 10 mil spanner...?"
Needs must...
View attachment 520516
Today's quiz question is:
Can any of you identify the make and model of this guitar from just the bridge, volume knob & pickup?
The cross head adjustment screws on the pickup must narrow it down, I would have thought. Every guitar I've owned has had slot head screws."Oi, you seen my 10 mil spanner...?"
Needs must...
View attachment 520516
Today's quiz question is:
Can any of you identify the make and model of this guitar from just the bridge, volume knob & pickup?
There's nothing much between them in neck widthThey were excellent guitars and I came close to buying one in 1980, but in a direct comparison, my old Gibson just felt more comfortable. I seem to remember that the Yamaha's neck was wider and thicker. Sound wise, there was nothing in it.
There's nothing much between them in neck width
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Both my Yamahas have '1960's slim taper' necks. Whereas, both my Les Paul Traditionals are like basesball bats (late 50's profile)
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Yamaha SG3000s. vs Gibson Les Paul Traditional.
As for sound, to my ears the Spinex (Yamaha) pickups have a bright but full sound (no muddy tones). I wouldn't say they were any better that Gibson - that largely depends on what pickups you use. Burstbuckers, '57 Classic, 490R & 490T, Dirty Fingers etc.
You're absolutely right, they are excellent guitars but you can't beat a decent Gibson Les Paul*
*I'm sure you can!!!!
Gibson Les Pauls are variable in themselves.
I have three (and a very loved copy). One is a 1990 Standard, which I've never really bonded with and is rarely out of the case. It just seems a bit lifeless to me and the neck is not at all how I like them. The pickups
are 490R & 490Ts. I've never liked them, but I have exactly the same pups on a Gibson SG Special and they're fine.
Another is a 2013 Standard with a beautiful trans amber top, but it has a minor string spacing issue and a rather unnecessary and questionable wiring configuration. It can be fettled into shape, but I've not yet got around to it.
The third Gibson is a faded Standard of 2005. This is my favourite of the Gibsons. But the one I first reach for?..... The Vintage Les Paul Lemonburst copy, on which I have changed hardware and pickups.
I should really sell the 1990 Standard. Someone else might love it.
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It's interesting that your 2005 is your favourite. This is my 2006 Standard and it's usually within arm's reach on the couch. It has no body weight relief and unusually, was nicely finished, other than the nut, which I had to replace. It had been set up at the factory with the first string (E) running into the fretboard binding. I bought it used and saw the issue with the nut immediately, but was able to talk the seller down to a great price. One new bone nut installed cut to the proper spacing and it plays like a dream.
However, it's probably the last Gibson that I'll buy, their quality control has gone to the dogs and my next guitar will more than likely be a PRS Custom 22. The finish and set up on those guitars is superb.
That's a beautiful Les Paul.View attachment 521939
It's interesting that your 2005 is your favourite. This is my 2006 Standard and it's usually within arm's reach on the couch. It has no body weight relief and unusually, was nicely finished, other than the nut, which I had to replace. It had been set up at the factory with the first string (E) running into the fretboard binding. I bought it used and saw the issue with the nut immediately, but was able to talk the seller down to a great price. One new bone nut installed cut to the proper spacing and it plays like a dream.
However, it's probably the last Gibson that I'll buy, their quality control has gone to the dogs and my next guitar will more than likely be a PRS Custom 22. The finish and set up on those guitars is superb.
To quote CryBaby, "Kick the switch and own* the crowd"